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Madcap mayhem expected as John Otway performs at the Marina!

Rock veteran Otway dubbed himself “rock’n’roll’s greatest failure” after many unsuccessful attempts to produce a second hit single to follow his 1977 classic (Cor Baby, That’s) Really Free with Wild Willy Barrett.

However, a mere quarter century later, he was back on Top of The Pops with the wonderful disco pastiche, ‘Bunsen Burner’ and back in the charts as a birthday present from his adoring and patient fans.

And, more recently, his “Beware Of The Flowers Cause I’m Sure They’re Going To Get You Yeah” was voted the seventh greatest lyric of all time in a BBC poll.

The legendary John Otway will be performing at the Marina Theatre on Friday 16th September at 7.30pm.

A couple of years ago John realised that live footage from the many concerts over the years, plus many TV appearances – and a failed world tour attempt – would make an entertaining documentary film. So he made one.

Initially expecting a couple of humble screenings for fans, the film premiered at the Odeon, Leicester Square, was shown at Cannes – and at prestigious UK film festivals including Cambridge during it’s national tour.

2016 saw a remarkably successful Kickstarter appeal which raised over £40,000 for John Otway and the Big Band to record their first new album in many years on the island of Monserrat, whose famous studios hosted bands such as the Rolling Stones before being devastated by forces of nature, being a preferable option to Harlow.

Expect madcap mayhem and some scintillating stunts from a man old enough to know better…..and also to be surprised at just what a showman and musician really lies underneath the tomfoolery.

Full price tickets £17.50, Concessions £15.50 – call the box office on 01502 533200 or click HERE to book!

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Vote for the Marina as UK’s Most Welcoming Theatre Award returns!

It’s a chance for audiences to celebrate the Marina Theatre and the dedicated work is continues to provide for local communities.

And as the theatre continues to expand its outreach work, people are being encouraged to pledge their support to find the UK’s Most Welcoming Theatre 2017 – in association with Smooth Radio.

This year there are more than 175 venues across the country competing to take home the coveted title – which has returned for a fifth year.

The vote opens at noon on Wednesday, August 9 and closes at noon on Tuesday, September 19. Votes for the Marina Theatre can be cast HERE.

The 12 Regional and National winners of the vote will be announced on Friday, September 29 before the overall winner of the award will be announced at the UK Theatre Awards on Sunday, October 15.

There are many things that shape your experience when you visit our theatre; a friendly chat with our box office staff, enjoying a delicious coffee in the cafe, feeling like you’re part of your local community, or being entertained by the panto!

The public vote gives you the chance to celebrate the Marina Theatre and all it does to welcome you.

Julian Bird, chief executive of UK Theatre, said: “Most Welcoming Theatre is a chance for audiences to celebrate their local theatre and for venues to shout about the incredible work they are doing day in day out. Theatres are the backbone of communities across the country and this campaign highlights the vital work they do.”

Every voter will also be able to opt-in for the chance to win £200 in Theatre Tokens.

People are also encouraged to use #welcomingtheatre so they can follow the nominations.

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Early bird tickets still available as casting is confirmed for Aladdin!

There is still time for you to secure the BEST SEATS for this year’s glittering family pantomime – Aladdin – for just £15!

Our early bird rate is available until September 2nd and this year is sure to be our biggest and most exciting show ever!

Hop on the magic carpet and join us for the adventure of a lifetime!

The production is sponsored by Roger Harrod’s Karpet & Furniture Kingdom.

Fasten your seat belts for a magical carpet ride to Old Peking where soap-sud silliness has got Widow Twankey and her sons Aladdin and Wishee-Washee in a lather! Can the Slave of the Ring and the Genie of the Lamp help our hero win the day?

Aladdin runs at the Marina Theatre for 32 amazing performances full of eastern promise!

The Right Honourable Ann Widdecombe will star as the regal and authoritative Empress of China in the spectacular family pantomime.

Outspoken and controversial, Ann is one of the most high-profile politicians of recent times. MP for Maidstone between 1987 and 1997 and for Maidstone and the Weald between 1997 and 2010 she is more recently known for her explosive appearance on the BBC Saturday night favourite, Strictly Come Dancing

Ann will be accompanied on stage by popstar Mark Read, known to millions as a member of hit boyband A1 and for their trio of Number One singles Take on Me, Caught in the Middle and Same Old Brand New You.

With two decades in showbiz among his many credits Mark is set to play the title character Aladdin.

Pantomime Producer Paul Holman said: “I am thrilled to have secured Ann and Mark in what is already shaping up to be the biggest Christmas production Lowestoft has ever seen. With Ann’s charisma and remarkable sense of humour combined with Mark’s exceptional vocals and showmanship, not to mention the warmth and fun of returning comic Terry Gleed this year’s pantomime production really does have something for everyone.”

Alongside funny man Terry Gleed, who will be returning by popular demand to play Wishee Washee, will be Aaron Spendelow as the Genie of the Lamp.

An experienced actor, presenter, puppeteer and writer, Aaron has worked for over 15 years on stage, radio and children’s television.

Also returning by popular demand will be Fenton Gray who will take on the role of Widow Twankey. Mia Richards will be playing Princess Jasmine, Deearna McLean as Slave of the Ring and Darren Clewlow-Smith as Abanazar.

The shows will once again be directed by Richard Cheshire and choreographed by Helen Jeckells and promises to take audiences on an eastern adventure full of spectacle, sparkle and shine.

To book tickets, call the box office on 01502 533200 or click here to select a performance.

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Q&A with members of The Royal Philharmonic Orchestra!

They are part of the world-famous Royal Philharmonic Orchestra and will soon be returning to Lowestoft for an evening of passion and drama from the world of opera.

Stephen Payne and Benjamin Cunningham are part of the orchestra who will be performing ‘A Night at the Opera’ on Friday, September 1.

Outstanding overtures, poignant arias and beautiful duets from some of the world’s favourite operas by Gounod, Bizet, Puccini, Verdi and more will be showcased.

Maestro John Rigby takes the helm, with highlights including songs from tragic love stories such as Puccini’s La bohème and Bizet’s Carmen, powerful epics including Turandot and Eugene Onegin, and playfully comic moments from operas such as The Marriage of Figaro.

We caught up with Stephen (Tutti Second Violin) and Benjamin (Double Bass) ahead of the eagerly anticipated concert.

1. How did you become involved with the RPO?

Stephen: I’ve been a member of the RPO since May 2011. It was the standard procedure: audition, trial and eventually a job offer.

Benjamin: I was studying at the Royal Academy of Music when I did my RPO audition. My first date on trial was playing the solo bass part in Britten’s War Requiem at the Royal Albert Hall, which was pretty nerve-wracking, and I was offered my position a week after I played my final recital at the Royal Academy of Music.

2. What is the best thing about being a member of the RPO?

Stephen: My favourite thing about the job is the touring – getting to travel the world with such nice colleagues. The schedules are often exhausting, but the way everybody pulls together on the concert platform is really inspiring.

Benjamin: I love the travelling in this job. In ten years here, I’ve seen more of the world than I could have imagined.

3. What inspired you to become a musician as a child?

Stephen: I’d love to say I saw Jascha Heifetz in concert and demanded a violin of my own, or something like that, but I probably didn’t have much say in the matter. I was four years old when I began learning and had to be nagged to practice until I was about sixteen.

Benjamin: After a year or two learning the cello, I played Rock Around the Clock in my school orchestra, which has a classic walking bass line. I was so taken by it and figured that if I played the double bass I could do that funky stuff all the time. So, I acquired a bass from the peripatetic service and began learning.

4. Who have you enjoyed working with the most whilst in the RPO?

Stephen: My favourite concerts with the RPO have been those with our principal conductor Charles Dutoit. Even the rehearsals with him are quite an experience.

Benjamin: I honestly have a bit of a hero thing about Charles Dutoit. His complete mastery of the repertoire, the depth of his knowledge, his energy and his ability to transform the sound of an orchestra means that every day of work with him is like a masterclass.

5. Where is your favourite place to perform?

Stephen: I love playing in the Far East because the food is so nice.

Benjamin: I love going to Suntory Hall in Tokyo, which has to be one of the best concert halls in the world.

6. What has been the most valuable piece of advice you have been given in relation to music, and who was it from?

Stephen: When I was just starting to work professionally, an older colleague advised me that it’s a good idea to learn the notes. It sounds obvious but it really helps!

Benjamin: When I got the job I learnt a huge amount from my bass playing colleagues, including these golden rules: don’t play in the rests, always have a pencil, always take your turn to buy tea and coffee in the break and don’t be an idiot.

7. If you could learn to play another/different instrument, which would it be and why?

Stephen: I would quite like to be able to play the piano, but I was never keen on the sound of it when I was young so avoided learning.

Benjamin: The viola. They get all the best lines.

8. What was the first recording you ever bought?

Stephen: A terrible song called Cotton Eye Joe by the Rednex.

Benjamin: I was going to say Rachmaninov’s Third Piano Concerto as it was the first classical recording I bought, in truth however, I think the very first was Especially for You by Kylie and Jason.

Tickets for the concert range from £27.50- £32.50 with under 25’s and group rates available.
The orchestra will conclude its 2017 Season with The Music of John Williams on 24th November . Hear your all-time favourite film scores performed live by a world-class orchestra, including Star Wars, Harry Potter, Superman and Indiana Jones.
Call the box office on 01502 533200 or click here to book!